![]() ![]() ZynAddSubFX, probably the most capable free standalone soft synth – ugly, but very powerful, and a candidate for a “desert island” synth.įor additional resources, there’s a superb guide on the Fedora site (one that Ubuntu actually might mirror).Rakarrack, a free guitar effects tool set for Linux (one new to me, in fact!).JACK / qjackctl (the GUI for JACK), the tool for interconnecting audio, MIDI, and sync between applications.I asked Adam for his top picks, and he explained he would demo: Recent fit and finish, plus a new sample editor, make it an ideal choice – surely you’ve got a system sitting around that could be running this. of quite a few people around this community. I’m going to try to schedule something separately, as this is … more than a little ridiculous for a music-making survey, and sadly shows Red Hat’s blind spot in regards to end users.ĭay job in tech, night job in music making – yup, that’s the M.O. (And, heck, CDM is indirectly a Red Hat customer – the whole site runs on RHEL.) Trying to tell it you don’t use JBoss makes the whole survey fail. Warning: I just discovered that this thing pops up an annoying survey that assumes you use JBoss. Learn to make open source music–Register now for a webcast with Adam Drew If you like real-time feedback, today, you can join Red Hat’s Adam Drew in a live webcast for “Open Your World,” entitled “Making Music with FOSS.” It runs at 11:00a Pacific / 2:00p Eastern, and will be archived. Webcast, Software Picks, Knowledge Databases These aren’t all Linux-only – many run on Windows and Mac, too – but if you are looking for a way to put together a robust studio on Linux, they’re a great start. I have some of my own thoughts on how to put this together, but first I wanted to share the input of these esteemed colleagues. Software in general can overwhelm with choice free software, often, doubly so.įortunately, some software gurus have jumped into the legwork so you don’t have to. What usually holds people back from free software projects is, simply, not knowing where to begin. And increasingly, they don’t mandate some sort of philosophical choice, either – I routinely use free software tools on the proprietary Mac OS, and use commercial, proprietary projects (Renoise) on Linux or (Harrison Mixbus) to make free projects more powerful. They might fit your budget, give you needed flexibility, allow you to use a tool driven more by development needs than commercial ones, give you tools that would otherwise lack proprietary commercial niches, allow you to run (via Linux) on a wider variety of hardware or with greater low-latency performance, or allow you to contribute more directly to a project, from documentation to actual development. There are plenty of reasons to consider free software tools as part of your toolchain for music making.
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